RBWG Remaining Fall 2025 Class
Weekly Calendar
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Register Here Please register first with Maribeth at [email protected] to make sure that the class is running (at times we do not have enough participants to make the class work) or is not already filled. Maribeth will respond to you within a day. Pay Here Because we are committed to keeping our classes small and because we can only continue to do this if participants commit to and pay for all classes, we ask that ONCE WE CONFIRM THE CLASS WILL RUN, you pay for the full class amount up front. If you are interested in a class and cannot pay for it up front, just send Maribeth an email and we’ll work out a payment plan. Please do not pay prior to hearing from Maribeth that the class is running and a seat is available. We are unable to make full refunds if payment is received without confirmation from Maribeth first.
Our Instructors
Click here to read brief biographies for each of our instructors.
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Fiction
Page-Turning — Maribeth Fischer (1 session)
When: Friday, October 31, 10:30 a.m - 12:30 p.m.
Where: Lutheran Church of Our Savior (Bay Vista Road, Rehoboth)
Cost: RBWG Members: $60 Non-Members $75
What makes readers want to turn the page in a work of fiction? And by the same token, what makes a book that should be page-turning (action adventure, thriller, murder mystery) a slog? Haven’t we all had this experience? It’s not wholly an issue of content. In fact, it might not have to do with the content at all but with the issue of pacing. And what is pacing? In this one session class, Maribeth will dig into this elusive element, exploring such things as the beginning and endings of scenes, the rate of information, the use of summary. Participants will not be sharing their work but should bring one chapter, story, or essay (drafts are fine) that they can analyze during the session.
When: Friday, October 31, 10:30 a.m - 12:30 p.m.
Where: Lutheran Church of Our Savior (Bay Vista Road, Rehoboth)
Cost: RBWG Members: $60 Non-Members $75
What makes readers want to turn the page in a work of fiction? And by the same token, what makes a book that should be page-turning (action adventure, thriller, murder mystery) a slog? Haven’t we all had this experience? It’s not wholly an issue of content. In fact, it might not have to do with the content at all but with the issue of pacing. And what is pacing? In this one session class, Maribeth will dig into this elusive element, exploring such things as the beginning and endings of scenes, the rate of information, the use of summary. Participants will not be sharing their work but should bring one chapter, story, or essay (drafts are fine) that they can analyze during the session.
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